Tom rejected the conceptualist principles taught at Goldsmiths College, the artist instead choosing to take a route he describes as ‘the antithesis of the Goldsmiths approach’. Tom developed a strong interest in collections of antiquity; his most recent work being inspired by artefacts housed in the British Museum and the V&A.
In his latest works the artist presents a culmination of his different cultural experiences and interests. Utilising his skills in both classical European drawing techniques and impasto painting techniques learned at The School of Art Institute, Chicago, the artist presents a group of paintings that feature figures and motifs that are a hybrid of Eastern and Western religious and mythological iconography. Placing a strong emphasis on symmetrical meticulousness and a bold use of paint the artist explores the stylisation of nature but with an ironic coil, harking to the aesthetic debates over ornamentation and its relationship to mass consumerist culture.
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