The Barbican today announces its upcoming programme of Theatre and Dance productions from 14 January to 3 May 2025, including the previously announced world premiere of THE SEAGULL starring Cate Blanchett and Tom Burke, directed by Thomas Ostermeier in a new adaptation by Duncan Macmillan and Thomas Ostermeier.
This spring, the Barbican presents some of the world’s boldest and bravest storytellers through a bumper line up of exciting new work in its experimental studio space, The Pit, collaborating with ground-breaking UK-based companies and presenting premieres from Switzerland to Singapore.
Tickets for the Barbican season are now on sale to Barbican Premier Patrons, Principal Patrons, Director’s Circle Patrons, Barbican Patrons and Barbican Members Plus, and will go on sale at 4pm today to Barbican Members. Tickets go on general sale tomorrow, Thursday 17 October, from 10am via barbican.org.uk. Tickets for THE SEAGULL are available now.The city’s favourite cure for the January blues, MimeLondon returns to the Barbican with four companies from across Europe who create spellbinding worlds to bring contemporary adaptations of classic tales and visions of the future to life through large scale puppetry, masks and micro-cinema.
The season continues in The Pit, the Barbican’s unique space for artists to develop the future of thrilling and meaningful live experiences. This spring is a time for celebration, marking major anniversaries of several UK-based companies at the forefront of creating ground-breaking new work. Reuniting with Olivier Award-nominated Belarus Free Theatre for the UK premiere of their searing new production, KS6: Small Forward is based on the extraordinary life story of Belarusian Olympic basketball player and political activist, Katsiaryna Snytsina, and launches the company’s 20th year. Winners of the 2022 Oxford Samuel Beckett Theatre Trust Award and celebrating their 10th anniversary, HighRise Entertainment (The UK Drill Project) return to The Pit to present a journey into the history of Grime with Lil.Miss.Lady; a multimedia, genre-smashing, interactive-rave-experience starring MC Lady Lykez, exploring what it takes for a trailblazing female MC to navigate her way through a male-dominated industry. And the Barbican collaborates with pioneering producers Fuel for the first time with a two-week takeover in their 20th year, with new works from artists spanning multiple artforms, each piece grappling with the big questions of our time.
Crucial to the Barbican’s mission is supporting audiences to connect with new generations of artists, alongside more established companies. Following several years of successful film screenings in the Barbican Cinema, this year’s collaboration with cross-disciplinary festival Queer East festival includes the UK premiere of When the Cloud Catches Colours in The Pit, by Singaporean theatremaker Chng Yi Kai. While London-based artists Dior Clarke and Stephanie Martin bring a new production of their play, Passion Fruit, to The Pit, following their Black British Theatre Award-winning debut at the New Diorama in 2022. Both shows explore themes of discovering identity, pride and safety in hostile or ignorant society.
Toni Racklin, Head of Theatre & Dance at the Barbican, said: “I’m delighted to announce our programme for early 2025, celebrating our longstanding collaborations and welcoming fresh work to our Barbican stages. This season, we spotlight brilliant new work in The Pit, introducing audiences to innovative storytelling from the UK and beyond. We proudly champion artists who call out injustice and empower communities to stand together.
Artistic relationships are at the heart of our work. We are excited to platform Queer East in The Pit this year alongside our Cinema, while celebrating significant anniversaries with HighRise, Belarus Free Theatre, and Fuel. We are thrilled to continue offering a London home to breathtaking theatremaking that speaks to us through visual languages through our partnership with MimeLondon. And of course, we are delighted to welcome back Cate Blanchett, Thomas Ostermeier, and Duncan Macmillan to the iconic Barbican Theatre for a remarkable adaptation of The Seagull.”
Throughout the Barbican Centre, further programme highlights taking place this year include:
Barbican Art Gallery
This spring, Barbican Art Gallery presents largest international retrospective to date of the work of late American painter Noah Davis (6 Feb – 11 May). Bringing together over 50 works, this touring exhibition is the first of its kind and offers a comprehensive look at Davis’ extraordinarily broad artistic practice, as well as his work in curating and community-building as co-founder of The Underground Museum in Los Angeles.
Indonesian artist Citra Sasmita (b.1990) will transform The Curve gallery for Into Eternal Land (30 Jan – 20 Apr), her first solo exhibition in the UK. Working fluidly across the mediums of painting, sculptural installation, embroidery and scent, Sasmita will invite visitors on a symbolic, multi-sensory journey through the 90-metre-long gallery, exploring ideas of ancestral memory, ritual and migration. Classical Music
Across its recently announced spring and summer classical music season, the Barbican presents a series of events that highlight the untold stories of marginalised figures, as bass baritone Davóne Tines presents an intimate theatrical portrait of singer and campaigner Paul Robeson (15 Feb), Cassie Kinoshi explores the life and work of Caribbean artist Boscoe Holder (27 May), Nadine Benjamin performs Shirley J Thompson’s love letter to the resilient women of the Windrush generation (20 Feb) and Elaine Mitchener and Dam Van Huynh present a new sonic dance exploration of Julius Eastman (3 & 4 Apr).
The season also features musical pioneer Jordi Savall and his own remarkable Hespèrion XXI early music ensemble with guests – for a journey into the unknown with a man considered by many to be the greatest traveller of all time: Ibn Battuta (17 Mar). Finally, composer Luke Styles presents his heart-stopping symphonic song-cycle inspired by No Friend but the Mountains by Kurdish-Iranian writer, journalist and former refugee Behrouz Boochani, here given its UK premiere by Barbican Resident Orchestra the London Symphony Orchestra and baritone Jonathan Lemalu (19 Jun).
Contemporary Music
A key event in the Barbican’s contemporary music programme during this period will see Polish pianist and composer, Hania Rani make her Barbican debut, presenting her album Ghosts in a special arrangement for large ensemble.
Rani released her 70-minute-long double album Ghosts (Gondwana Records) in 2023 and will perform the full and complete album alongside a large ensemble including string, woodwind, and brass instruments. She will be joined by long-time collaborators and friends of Rani’s, from cellist Dobrawa Czocher to bassist Ziemowit Klimek, each coming from versatile music backgrounds. More commonly used to performing solo, surrounded by multiple keyboards, Rani will present the complete album at the Barbican as part of a tour with her ensemble in a way that its orchestral and tangled nature wouldn’t permit it to be performed alone. The performance will also be accompanied by new light and set design by Stuart Bailes.
Creative Collaboration & Cinema
Celebrating its 10th anniversary year, the Chronic Youth Film Festival 2025 returns to the Barbican cinemas on Saturday 26 & Sunday 27 April, 2025, with a bold and exciting programme curated and delivered by this year’s cohort of Barbican Young Film Programmers. The free Young Film Programmers scheme is a six-month talent development programme where young people work collaboratively to turn their love for cinema into a dynamic experience. This culminates in the Young Film Programmers determining the themes, film programme, and connected public events for the festival. Details of the next April’s festival will be announced in the New Year.
MimeLondon
La Pendue: La Manékine
Tue 14 – Sat 18 Jan 2025
The Pit
Press performance: Tue 14 Jan, 7.45pm
UK premiere
Blending puppetry, storytelling and a live one-man orchestra, La Pendue brings the UK premiere of La Manékine to The Pit, Barbican, this January as part of MimeLondon 2025. Created and directed by master puppeteer-performer Estelle
Charlier and musician Martin Kaspar Orkestar, who had been haunted by a medieval tale for many years, their latest production is a dark and timeless fable of true love and female emancipation.
Based on the Grimm Brothers’, The Girl Without Hands, this striking production tells the story of a poor miller who naively makes a deal with the devil, unwittingly promising him his daughter. The Devil, finding that he cannot possess her, demands the miller’s help to claim his prize – and that’s just the start of this thrilling tale of deception, disappearance, love and finally, happiness ever after.
Founded by Estelle Charlier and Romuald Collinet in 2003, La Pendue creates distinctive puppetry performances that tackle complex narratives. Based in Grenoble, the company has toured all over the world with acclaimed productions including Tria Fata (Jackson’s Lane/LIMF 2020) and Poli Degaine (inspired by the anarchic classical hand puppet tradition of Polichinelle (Punch)). Estelle and Romuald hold residencies at several prestigious organisations including the International Festival of Puppet Theaters in Charleville-Mézières and are also behind the striking puppetry created for Leos Carax’s Cannes award-winning feature film, Annette (2021).
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MimeLondon
Brú Theatre: Not a Word
Tue 21- Sat 25 Jan 2025
The Pit
Press performance: Tue 21 Jan, 7.45pm
UK premiere
★ ★ ★ ★ ★ “An artistic and theatrical triumph” The Arts Review
“An evocative heart-rending piece about yearning and forgotten lives that weaves a spell” Irish Times
Galway-based Brú Theatre marks its first appearance in the UK with Not a Word in The Pit, part of MimeLondon 2025. Merging mask, music, and movement, this new piece of physical theatre is dedicated to the forgotten Irish navvies who worked hard, faltered and slowly faded from memory. Devised with performer Raymond Keane and onstage fiddle and viola player Ultan O Brien, the production is directed by James Riordan, with mask design by Orla Clogher.
A day’s labouring done, in a place that has never quite felt like home, a silent man plays a beautiful old tune as memory dances amongst his workman’s boots and few cherished trinkets.
Celebrating those who ‘took the boat’, a forgotten class of Irish emigrants who helped build countries that were not their own, this poignant production offers a moving portrait of one emigrant that echoes many people’s stories today. An ode to a self-exiled labourer, which seeks the beauty in the banal and the poetry between the cracks.
Established by theatre maker James Riordan and producer Jill Murray in 2018, Brú Theatre produces work that explores the intersection between contemporary theatre forms and the languages, literature and landscapes of the West of Ireland. Their bilingual, multidisciplinary work incorporates mask, Virtual Reality, dance, original music and new writing, showcasing the vibrancy of the region through a modern lens. They tour nationally and internationally, including at Galway International Arts Festival, Brightening Air Festival (Dublin), Solas Nua (Washington D.C), Canada Ireland Foundation (Toronto), Green Season (Montreal) and Children’s Festival (Ottawa).
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MimeLondon
Plexus Polaire: Moby Dick
Wed 22 – Sat 25 Jan 2025
Barbican Theatre
Press performance: Wed 22 Sep, 7.45pm
London premiere
Returning to the UK following critically acclaimed appearances at the London International Mime Festival, Plexus Polaire make their Barbican debut with their ‘exquisite’ (New York Times) production of Moby Dick, filled with large-scale puppetry, live action, video projection and music. The company’s artistic director, Yngvild Aspeli, directs this spectacular stage adaptation of Herman Melville’s classic about ambition, obsession and the power of nature, drawing inspiration from her own family’s seafaring heritage.
Featuring seven actors, fifty puppets, a drowned orchestra and a whale-sized whale, Plexus Polaire’s award-winning show offers a contemporary perspective on the epic tale of redemption, an expedition into the inner storms of the human heart and the unexplained mysteries of life.
Plexus Polaire is a French-Norwegian theatre company who, through the use of life-sized puppets, acting, music, light and video, develop visual worlds that bring our most buried feelings to life. On tour, Moby Dick has been celebrated across Europe (including the UK’s Brighton Festival), South & North America and Asia, and received awards including Norway’s prestigious Hedda Award (Best Audiovisual Design 2022). Director, actress, puppeteer and puppet-maker, Yngvild Aspeli, has directed seven shows for the company including Ashes and Chambre noire (Jackson’s Lane/ LIMF 2017 & 2019), and current touring productions A Doll’s House and Dracula – Lucy’s Dream.
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MimeLondon
Frau Trapp: Five Lines
Tue 28 Jan – 1 Feb 2025
The Pit
Press performance: Tue 28 Jan, 7.45pm
UK premiere
Frau Trapp make their UK debut at the Barbican with their first production, Five Lines, exploring human nature through the lens of one couple’s relationship in a dystopian world shaped by today’s extreme greed. Led by founders Mina Trapp (designer) and Matteo Frau (musician), the company’s micro cinema-theatre hybrid style of performance brings together miniature models, music, acting and projection. Questioning their role as artists, in an era dominated by political, social and climatic insecurity, they found even in the darkest of situations we can imagine and create better worlds.
Narrated by a disembodied voice off-stage, Five Lines transports us to a stark reality, where resource scarcity threatens our freedom and people retreat into their cocoons, forgetting that change is possible. Driven by love and an unquenchable lust for life, this intimate production challenges us to consider whether our relentless pursuit of dreams leads to a better life or blinds us to what truly matters.
Frau Trapp company was established in 2021 and Five Lines is its first production. The company is deeply fascinated by miniature worlds that can be brought to big screens and reflect our current era. Founders Matteo Frau (musician) and Mina Trapp (designer) met at a Micro-Cinema-Theatre workshop in 2016. Since then, they have played together in several music bands, created a street theatre piece and together they run the cultural centre Can Pink i Boogie (Mataró, Barcelona). Five Lines is a co-production between FrauTrapp and Bern‘s Schlachthaus Theatre (CH), which premiered at Barcelona’s IX Puppet Festival ‘Rombic’ in 2023 and has since toured across venues and festivals throughout Europe.
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HighRise: Lil.Miss.Lady
Wed 12 – Sat 15 Feb 2025
The Pit
Press performance: Thu 13 Feb, 7.45pm
BSL & Relaxed performance: Fri 14 Feb 7.45pm
World premiere
Following the success of the award-winning The UK Drill Project in 2022, HighRise Entertainment celebrate their 10th anniversary with a return to The Pit before a nationwide tour of this immersive exploration of the history of Grime starring MC Lady Lykez, revealing what it takes for a female MC to navigate her way through a heavily male-dominated industry in the early 2000s.
Part rave, part drama, this bold piece of gig theatre takes audiences on a journey through the sounds and visuals of Black-British bass music culture, from the early stages of Jungle, through UK Garage, Sub-Low, Funky House, Dubstep and Grime.
Featuring original music from by Lady Lykez and Dominic Garfield, mixed by live DJs including DJ Kaylee Kay, and inspired by a series of interviews with influential women in the Grime scene (Lady Stush, Lioness, Queenie, Baby Blue), Lil.Miss.Lady
Following sold-out R&D performances of Lil.Miss.Lady
For a decade HighRise have used music, theatre and first-hand testimonies to represent unheard voices in inner-city Britain. The cross-arts collective won the Oxford Samuel Beckett Theatre Trust Award in 2022 with The UK Drill Project, which challenged myths about the genre. Partners have included Nike, HOODRICH, The National Theatre and the Barbican Centre as well as specialised art conservatoires including East 15 Acting school, Italia Conti and Central School of Speech and Drama.
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Belarus Free Theatre: KS6: Small Forward
Wednesday 5 – Sat 8 Feb 2025
The Pit
Press performance: Thu 6 Feb, 7.45pm
UK premiere
KS6: Small Forward is theatre turbocharged with the electrifying energy of a basketball match, inviting audiences into sports phenomenon Katsiaryna (Katya) Snytsina’s world. It traces the stratospheric highs of twenty years on the court and the events that set her on a new path as an activist, political dissident and “extremist lesbian”.
Directed by Olivier Award-nominated Belarus Free Theatre’s co-founding Artistic Directors Natalia Kaliada and Nicolai Khalezin, this new production launches their 20th anniversary in 2025, a landmark year to celebrate two decades on the world stage challenging dictators and building a movement for democracy, human rights and artistic freedoms.
Delivered in BFT’s iconoclastic, expressionistic style, Katya tells her own story alongside clubland’s rising star, DJ Blanka Barbara in this soul-shaking show about being fearlessly true to yourself. Performances follow a successful premiere at La MaMa Experimental Theater Club in New York and the show will continue its world tour with performances in June 2025 at Théâtres de la Ville de Luxembourg.
Originating some of the world’s most provocative and breathtakingly physical theatre, internationally acclaimed Belarus Free Theatre are the only theatre company in Europe banned by its government on political grounds. KS6: Small Forward marks BFT’s return to the Barbican following the critically and publicly acclaimed stage productions Dogs of Europe (2022) and King Stakh’s Wild Hunt (2023).
Katya Snytsina is a women’s basketball star, the first and only popular sports figure in the history of Belarus to have openly come out as gay, and who now lives in exile as an outspoken, frontline activist against the dictatorship in her native country. She was part of the Belarusian team that won a bronze medal at the 2007 European Championships and placed sixth in the 2008 Olympic Games. This production depicts Katya’s bravery and determination as she experienced tremendous highs and crushing lows while smashing sporting records, stood up to dictators in the wake of widespread protests in Belarus in 2020, and came out as a lesbian when she fell in love with a longtime BFT company member.
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Fuel: FuelFest
The Pit
March 2025 (dates TBA)
Award-winning independent producer Fuel takes over The Pit this spring with a celebration of 20 years of fresh work for adventurous people by inspiring artists. Marking the Barbican’s first collaboration with Fuel, FuelFest will comprise four new ambitious and fresh works from some of the UK’s most exciting theatremakers. Spanning multiple artforms, each piece grapples with the big questions of our time.
“Pioneering production company Fuel pushes the boundaries of form and scale” – The Stage
“The maverick theatre group pushes new boundaries and makes theatre production sexy” – The Guardian
Co-founded by Artistic Director Kate McGrath in 2004, the company has collaborated with artists and produced imaginative, boundary-pushing work that has travelled around the globe. The two-week festival forms part of the company’s 20th anniversary season, creating space for artists and audiences to experiment and innovate. The Pit is the Barbican’s Peter Brook Empty Space Award-winning venue that has long supported artists to test new ways of working, create bold new projects and reimagine what live theatre can be.
The full line-up and lead artists will be announced in November.
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Moving Eastman
Thu 3 – Fri 4 Apr
The Pit
London premiere
Moving Eastman is a new dance and sonic performance led by movement artist, experimental vocalist and composer Elaine Mitchener, with original concept and choreography by director Dam Van Huynh. Taking inspiration from the intersectional life of the Black American composer Julius Eastman, staging is informed by found materials such as images, notes, interviews and sounds.
Eastman, who died in 1990 aged just 49, is a key figure in late 20th century American music but was marginalised during his lifetime. A black, gay, contemporary music composer, he lived every aspect of his identity to its fullest. His attitude was a total assault on the status quo. Inspired by his life and legacy, Moving Eastman responds to Mitsuye Yamada’s quote, “invisibility is not a natural state for anyone”, sparking a discussion on who controls the narrative and who tells these stories.
The work combines improvisation, contemporary music theatre and performance art, drawing from multiple global vocal traditions, both traditional western classical, and embodies Eastman’s unconventional approach to making art across genres and disciplines in a quest for artistic freedom. Elaine Mitchener is joined onstage by long-time collaborators, saxophonist Jason Yarde, bassist Neil Charles and Xhosa Cole on saxophone and percussion (together they form the ongoing performance project The Rolling Calf).
Elaine Mitchener’s previous full scale staged works include commissions On Being Human as Praxis (2020), the then + the now = time (2019) and SWEET TOOTH (2017), all collaborations with Dam Van Huynh, and orchestra work b r e a d t h b r e a t h (2018). Works researched, developed and produced by Elaine Mitchener Projects arise out of Elaine’s philosophy of encounter-enact-engage to create intimate and experimental music theatre performance pieces.
Dam Van Huynh is an award-winning dancer, choreographer and director. He has collaborated with Elaine Mitchener since 2009, exploring the possibilities of performance through the use of sound and body. His choreographic works have been performed internationally, and he has worked with a variety of artists including Merce Cunningham, Richard Alston, and Tom Morris & Lee Hall. He founded the Van Huynh Company in 2008, is Director of the Hackney-based charity Centre 151, and Associate Director of the biennial Dance Bridges Festival (Kolkata, India).
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Queer East: When the Cloud Catches Colours
Thu 24 – Sat 26 Apr 2025
The Pit
Press Night: Thu 24 Apr, 7.45pm
International premiere
When the Cloud Catches Colours is a thought-provoking piece of verbatim theatre about the experience of two queer Singaporeans as they grow older. Delving into relationships, family, insecurity, kindness and safety, the show is written and directed by Chng Yi Kai, based on true accounts contributed by many people in queer communities across the country, interviewed by Chng Yi Kai over several years. The production was first staged in 2023 by Drama Box in Singapore.
Qing & and E are navigating life as queer individuals in their fifties. Qing is struggling to deal with the aftermath of a relationship ending after 20 years, and E is the sole-caregiver to a mother who doesn’t fully accept her. On a shifting, technicolour landscape (set design by Lim Wei Ling), performers Julius Foo and Judy Ngo explore what lies ahead for people who have spent most of their lives in the margins.
When the Cloud Catches Colours is part of Queer East, a festival that showcases boundary-pushing LGBTQ+ cinema, live arts, and moving image work from East and Southeast Asia and its diaspora communities. For a sixth year, Queer East will be screening a selection of films in the Barbican Cinemas. The full programme will be announced in the new year.
Chng Yi Kai is a theatre artist who aspires to create socially-conscious theatre works that extend our capacities as humans and communities. A graduate from Yale-NUS College with a major in Anthropology, his foray into theatre began as an actor on the second cohort of Drama Box’s youth wing ARTivate, after graduating from Singapore Polytechnic’s Diploma in Applied Drama and Psychology. He was previously the Resident Artist at Drama Box theatre company as a playwright, director and ARTivate co-lead facilitator.
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Dior Clarke and Stephanie Martin: Passion Fruit
Wed 30 Apr – Sat 3 May 2025
The Pit
Press Night: Wed 30 Apr, 7.45pm
BSL & Relaxed performance: Thu 1 May, 7.45pm
Written by Dior Clarke and Stephanie Martin, Black British Theatre Award-winning play Passion Fruit returns to the stage in a new production, directed by Rikki Beadle-Blair MBE for The Pit, following an acclaimed run and rapturous audience responses at the New Diorama Theatre in 2022.
Brimming with joyful movement and music, brutal honesty and tender insight, this coming-of-age comedy-drama follows the life of Romeo (performed by Dior Clarke), a Black, Gay, Working Class, British-Jamaican boy growing up in North London.
Passion Fruit is a self-love story about finding yourself and staying true to your roots. From the first teenage moments of lust, surviving adolescent violence, family struggles, falling in love for the first time to the thrills and spills of the hedonism of the gay scene. Romeo’s arrived at this moment: vibrant, bruised, fiercely ambitious and ready to share his story.
Dior Clarke is an actor, writer, director and producer, whose recent works include Batty Boy (Sky Arts), TV pilot The Prince (produced by Clarke’s production company, Loquaciously Unfiltered), feature film This Love Isn’t Taught and its stage production (currently in development at Cambridge Junction). He returns to the Barbican following his work with The PappyShow, including performing in the award-winning BOYS (2022) and 10th Birthday Pit Party (2023).
Stephanie Martin’s debut play Joy is currently in development as a feature film with the BFI (working title Girl Almighty). Further playwrighting for the stage includes Alkaline (Park Theatre), Juniper and Jules (Theatre 503, Vault Festival ‘Show of the Week’, Soho Theatre), Rage, but Hope (Summerhall, Streatham Space Project), and Shakespeare’s Globe short play commission Letter to Bathsheba. Recent work includes a commission from Soho Theatre for a new play co-written with Dior Clarke and award-nominated Thirsty (Vault Festival).
Rikki Beadle-Blair MBE is a writer, director, composer, choreographer, designer, producer and performer working in film, theatre, television and radio. He has written and directed 40+ plays over the last 20 years along with several feature films, shorts, TV episodes and series. Awards include a Sony Award, Los Angeles Outfest Screenwriting and Outstanding Achievement awards, and he has received an MBE for contributions to drama and an honorary doctor of letters from the University of Warwick. As well as annually hosting UK Black Pride, Rikki has hosted Voguing balls around the country for the last 15 years.
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Previously announced
Wessex Grove: THE SEAGULL
Tue 26 Feb – Sat 5 Apr 2025
Barbican Theatre
Press performance: Thu 6 Mar 7pm
World premiere
Directed by Thomas Ostermeier, this new production of Anton Chekhov’s classic The Seagull, adapted by Duncan Macmillan and Thomas Ostermeier, marks a return to the Barbican stage for Cate Blanchett, following her performance in Botho Strauss’ Big and Small (Gross und Klein) in 2012.
Academy-award winning actor Cate Blanchett stars as Arkadina, a celebrated actress whose larger-than-life presence dominates both the stage and her personal relationships. Arriving at her family’s country estate for the weekend, she finds herself caught up in a storm of conflicting desires. Her playwright son, Konstantin (Kodi Smit-McPhee), struggles to step out of her shadow as he pursues his own artistic ambitions and her lover Trigorin (Tom Burke), becomes the object of affection for the aspiring young actress Nina (Emma Corrin).
As their lives entwine and they each grapple with their desires, ambitions, and disappointments, Chekhov’s timeless story unfolds in a gripping tale of vanity, power, and the sacrifices made in the name of art.
The Seagull marks a return to the Barbican Theatre for Thomas Ostermeier, following the critically acclaimed 2014 run of An Enemy of the People, and for Duncan Macmillan, following The Forgotten Zone in 2016.