David Aimone transcends traditional photographic techniques, using alternative methods to craft meticulously composed images that unfold like symphonies. Each of his photographs holds a subtle, silent power, inviting viewers to see beyond the surface.
Raised in a family deeply immersed in musical and artistic influences, Aimone’s passion for photography began early and developed post-college when Aimone delved into large-format film, embarking on a self-guided exploration akin to an independent study master’s degree. This freedom allowed him to experiment with diverse techniques and cultivate a distinctive style.
Music and Photography
Aimone’s artistic philosophy is deeply rooted in his musical background. Drawing parallels between music and photography, he strives to make artistic images that resonate like a beautifully composed symphony. He prefers working with natural light to find beauty in subjects ranging from people to landscapes, although he occasionally employs strobe or studio lights. Using old lenses, various types of film, and exploring image production through digital manipulation to handcrafted prints are all part of his creative repertoire.
Aimone’s work is characterised by a therapeutic quest for imperfections, deliberately departing from mainstream ideals. His themes often revolve around ephemeral states, beauty, and imperfections, drawing inspiration from the rebellious spirit of pictorialists who challenged the relentless pursuit of photographic perfection. Additionally, Aimone is inspired by art that balances simplicity with layers of complexity, resulting in images that are both profound and multifaceted.
“I use a variety of alternative and experimental methods to capture and present a subject in a different way, allowing/provoking the viewer to go beyond that which is obvious at first glance. These methods steer the viewer away from the perceived perfection of modern photographic techniques, which in their own way prevent the viewer from seeing below the idealized surface of the subject. Going beyond, the result is a more deeply satisfying and illuminating experience through the viewers’ own perceptions, allowing them to find the meaning, emotion and unexpected revelations within the image.”
Merging Techniques
He blends old and new techniques, merging traditional photography with other art forms. This approach began with shooting and developing film, continued with large format, and the use of old, sometimes “imperfect” lenses by modern standards. Aimone is attracted to soft focus images and pictorialism, and he further explores this direction using pinhole and zoneplate cameras. His recent endeavors include printing on hand-coated paper, creating handmade, unique, and expressive images. He also plans to combine traditional and modern techniques with other visual arts, such as coloring, toning, painting, and collage.
Notable exhibitions of Aimone’s work include his solo shows at the Ridgewood Art Institute and participation in the prestigious Pictorialist Photography Exhibition. These showcases have highlighted his ability to redefine conventional photographic aesthetics.
Armed primarily with medium and large-format film, Aimone meticulously develops his creations in a home darkroom. His portfolio includes traditional silver gelatin prints, showcasing his commitment to both time-honored techniques and innovative processes, including analogue/digital fusion and hand-coated emulsions.
Aimone will showcase his Artistic Alchemy at StART Art Fair this October with work which promises to offer an enriching visual experience, challenging conventional perceptions and inviting viewers to engage with the deeper, often unseen narratives within his photographs. The fair has moved from The Saatchi Gallery to the new Town Hall venue in King’s Cross and will run 7-13 October.
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